︎︎︎ GLOBAL DESIGN : EDITORIAL DESIGN, MOTION & PHOTOGRAPHY
CAMERA OBSCURA “ POINT, LIGNE, PLAN ”
Micro edition pinhole (2019)
In 1926, the painter Vassili Kandinsky published a small work entitled "Point, Line, Plane", in which he summarised his concern to lay down the internal rules in order to identify the pictorial grammar that governs the act of painting. Cultivating this idea that creation does not follow random criteria but appears as a free formal game, within strict rules, I became interested in creating a formal game resulting from a negotiation between a vertical and horizontal variable, in the manner of the telescreens of the past. Mixed with the pinhole principle of yesteryear, the confrontation of mediums aims at "blurring" our temporal and spatial perception.
CAMERA OBSCURA “ POINT, LIGNE, PLAN ”
Micro edition pinhole (2019)
In 1926, the painter Vassili Kandinsky published a small work entitled "Point, Line, Plane", in which he summarised his concern to lay down the internal rules in order to identify the pictorial grammar that governs the act of painting. Cultivating this idea that creation does not follow random criteria but appears as a free formal game, within strict rules, I became interested in creating a formal game resulting from a negotiation between a vertical and horizontal variable, in the manner of the telescreens of the past. Mixed with the pinhole principle of yesteryear, the confrontation of mediums aims at "blurring" our temporal and spatial perception.
CONTEXT : Experimental research
CATEGORY : Editorial Design, Motion & Photography
FORMAT : 210 mm x300 mm / Cover : Chromolux 350 g / Inside pages : elementa 45g/m2 / Reliure : Perfect binding
CATEGORY : Editorial Design, Motion & Photography
FORMAT : 210 mm x300 mm / Cover : Chromolux 350 g / Inside pages : elementa 45g/m2 / Reliure : Perfect binding
